basement living - victorian house

project: living area, kitchen, extension


features: reclaimed antique parquet muhuhu flooring, Silestone worktop, induction hob, wine storage




the kitchen with view to dining room extension (phase 6)


This basement conversion and extension was a huge project, and a fantastic space. A lot of work was carried out to turn what was a dark, and slightly dank basement area into a family space that is extremely habitable and stylish, and given its situation, filled with light. We tackled the project in stages, firstly creating a cosy living and play area in the bay window space at the front along with a central kitchen, and then a pause before the major building project of a light and airy new extension as a dining area, which leads out onto a same level outdoor living space. 



When we began, red 'quarry style' tiles sat on the floor, a dark blue 'county style' kitchen blocked off the far end of the room which has now been opened up to the new extension, replacing a rather leaky conservatory type space. The chimney at the living end had also been blocked up previously and the damp that was inside the chimney was interfering with the skirting. All of this was opened up and the rubble removed. We reclaimed the space in the chimney as a display point with a huge oak lintel, and vented it to keep the chimney aerated. The floor was a different story; all the tiles were removed and fortunately, we did get back to a layer of concrete on top of which was laid a breathable membrane. The floor was then put down on a substrate. After much time fitting and sanding the reclaimed parquet the effect was complete - it appeared as if it had been down for the past 120 years or so. A lot of work and time went into the floor but the results are remarkable.




parquet flooring in herringbone configuration










Choosing something that has been used before, despite the clean up process, still means that you are quite likely to get an amount of character running through the floor which can be lacking in pristine wooden floors. we also loved the 'eco' quality of a reclaimed floor, and its history was in keeping with the character of the house. The parquet block floor started life as we knew it in individual blanks bundled into yard squares, and stored in a warehouse in Bath (Walcott reclamation) who deal with architectural antiques. In its previous incarnation it was a school gym floor. It is a wonderful material - dense and fragrant and full of character. Every individual block was processed to be the right depth, this involved stripping off the tar from the bottom using an electric planer. The resulting floor shows incredible personality.












We specified and designed a German made kitchen which was supplied by a local company. We wanted all the surfaces to reflect as much light as possible, and chose a high gloss finish in a beautifully light olive green.  A breakfast bar was added to the scheme which doubled as a useful preparation area and keeps the space sociable.  The wrap around top is Silestone, a quartz based composite stone which has anti-bacterial properties and is incredibly hardwearing and anti corrosion resistant.   Within the L shaped configuration above a miele inset induction hob was set. The owners approached induction cooking after much discussion with some trepidation, but have cherished it ever since. The hob is set into its the top and colour matched intumescent mastik was used to seal it into place. Behind the miele induction hob a hardened glass splashback was fitted, and flat plate sockets (low profile) in stainless steel sit neatly against glass tiles and add further detail.















The wine carrier set into the second chimney stack neatly fills a problem space or 'hole' that the owner wanted us to address. The inventive storage is a modification of a design from another recent project where we reclaimed a disused dumb waiter to house the owners wine collection. The oak frame makes the item stand alone and announce its presence.


Above the undermount sink, the space was kept incredibly simple and uncluttered; a couple of solid oak shelves run the width of the recess. These have inset uplighters in them that cast a light up through the glassware that the owner is collecting. Glass brick shaped tiles behind the stainless steel tap act as the splashback and also help to reflect some light. The franke tap is quite cool too, as it also has a built in water filter.








During the kitchen conversion what was then the back wall was knocked out and steels were put in to accommodate what would become an extension in phase 6. Planning for the extension didn't present too much difficulty, but consideration was applied to where the flooring would end and how it could follow on at exactly the same height. We were also conscious of where the kitchen units would end and how they would interact with the new space. We decided to dress the flooring right up to a false wall that was created for the interim period (on the back of the house) so the extension would be seamless. see Victorian house: extension.


 
We used the pale olive and lichen colour scheme as a modern twist on the classic 'farrow and ball' kind of lichen, the intension was to keep the space light with colours that follow through from the rest of the house, and are classic and timeless palette. 


victorian house: bathroom 2



1st floor bathroom > shower room, ground floor cloakroom/boiler room.









The second of the bathrooms co-incided with the formation and refurbishment of the boiler room, which was also turned into a ground floor toilet with airing cupboards. The second of the main bathrooms is a shower room that presented its own problems.  Far from being spacious, this room crams a lot of 'look' for such a small space. 2m sq approx. 


Its position on the 1st floor was directly over the boiler room and therefore made a great deal of sense to convert both rooms at the same time. 


All the walls were stripped back to brick. This was not a job for dust-haters. As the house had 140 years on it, the walls were of tired plaster that had blown in places and the ceilings were lath and plaster. This gave us a complete blank canvas for the creation of the space. Floors were adjusted in the shower room to accomodate the wetroom floor. Part of the ceiling was restored with plasterboard and the other part, left open. The roof trusses were exposed and sanded. The space had become subtley more architectural with this hidden roof space. It did mean we could hide the extractor in this space were it would be less conspicuous.






As mentioned, this was a wetroom and as such had to be prepared thoroughly and very well too prevent any future leakage. This was our first wetroom and as such, we took all the necessary precautions when installing the product. We settled on a base from 'on the level' who specialise in wetroom products along side their acrylic wall solution. Care was taken to make sure all the gaskets, around the products on the wall and in the floor, were perfectly sealed and tight.



The shower area is decked out with travertine marble. Mosaic travertine tiles across the floor going into the larger square panels on the walls. As there are no gaps between the wall tiles, the impression is of one piece of marble. 


The brushed stainless steel shower pole is by Bristan and stands like a piece of sculpture, projecting from the wall in the wet area. The 'drencher', or flood head is more appropriate in these settings as they tend not to create excessive water spread, unlike power shower heads.


The walls that weren't tiled were treated with many layers of pigmented varnish. Very thin at first and becoming stronger at the end.  This did 2 things: added greater protection against water damage and secondly gave a sensory quality, akin to lustre ware or silk.  What the colour of the plaster gave to the room was its warmth. It made the pigmented varnish a slight tone warmer in appearance. 













ground floor cloakroom.


key events would be the units that house the boiler. A lift off panel hides the unit itself whilst the larger cupboard doors conceal the drying space and the stuart turner pumps that create greater pressure for the shower, directly upstairs. The doors are panels which have been made to size and veneered with zebrano. These are set off by the flooring which was left as floorboards, but painted black. 


I think the room speaks for itself. Its tidy and crisp and has a very calm and clean and delicate appearance. 


ground floor toilet and boiler room
zebrano doors with inset handles
handwash sink

Grandpont house> bedroom and on-suite

Grandpont house: loft conversion.
Yr:2007

It is a loft space (bedroom) with an on-suite bathroom with a footprint of 30sqm approximately, incl the bathroom.  There was a very considered and limited palette in this scheme. The muted earth tones were all cleverly balanced. Loft rooms can be difficult in their character; we wanted this one to feel warm and grown-up, a sanctuary.

It's an elegant room, very clean and sharp with a very clear direction.


Two walls were papered, one on the wall as you approach the top of the staircase and the one behind the bed. Both walls run in different directions to each other and so acted particularly well to ease you into the room without being too full on.

The pattern that you see on the walls is by Neisha Crosland and it gives the room a loose light feel whilst playing with all the tones employed elsewhere in the room. An oak framed alcove in the wall above the bed provides extra storage, and a neat interest.

The radiators are by bisque. Its a low level, traditional style with ribbed chambers, in anthracite. These are high performing radiators and very useful at warming a room quickly and holding the temperature. The colour of the radiator can be changed in order to further enhance and stay within the designers range of tone and hue. 

















We designed and had made, a very simple, elegant and one-off, oak and glass rail to the top of the staircase.  An oak  frame surrounds 10mm toughened glass. The storage units that are pictured, fitted in the eaves and flanked the escape velux.  


The conversion of a loft space is often at odds with storage needs and this generally tends to be forgotten in the process of creating a useable space. In a lot of our designs there is a real emphasis on clever storage where ever possible. 


Off the bedroom is the on-suite which is a pleasure. Glass tiles wrap around all 4 walls and encase the bathroom in reflected light.
The effect is further enhanced by the mirror and the glass shower screen.  


As per the bannister, the door is of oak and the linear detailing is seen in various other items around the rooms.




































































The shower base was a 1200mm  x 800mm composite. The glass toughened and bespoke. It is always a good idea when fitting a bathroom in the loft area to over structure the support for the facilities i.e. the floor joists and make sure there are provisions for the potential cleaning of the traps etc. 


Extraction in the bathroom was ducted through the roof space whilst the building conversion was taking place. An icon bathroom fan with PIR and a humidity sensor was used. These are used to great effect in spaces like these where you can control the moisture content of the room. The console is also very elegant and powerful.












Fittings are simple and elegant, minimal but not flashy. All in all, sanctuary, and a little jewel at the top of the house.

decking

This was a decking project that we took on through a trusted designer Chameleon Gardens.  The deck was to sit alongside the house with built in steps as part of its structure. 

On the bank near the house stands an extremely large Oak tree and the bank itself, falls away from the tree down to the house. The deck was to be housed in that section. In order to do this we had to mount the deck approximately 3.5ft off the ground. The primary condition of the  ipe deck was to make it appear to be perfectly nested in that space.

The boards were secured down with stainless steel fastenings which resists rotting. Ipe is incredibly resistant to bending and as such the boards proved very difficult to position into place given they were 6 metres long. Each of the tiers was bound in a picture frame, not usually seen in decking configurations, but works superbly well in this situation.Very difficult to install successfully.


ipe deck  with three tiers








ipe deck when wet


ipe deck from above


ipe deck from high up


ipe deck during preparation

MOMA> (museum of modern art ) award winning architectural practise



This was a project that we came to for our ability to create, given a difficult and a changing brief. The project was initiated by MOMA and BLOCK architecture who were the designers and primary architects for the new MOMA face lift. The units numbered 20+ including seating and book holders as well as the reception desks and the fridge housing units. Created from Douglas Fir panels, a total of 62 panels were used in the end. The only other material included was carbonised mild steel plates. which were used in small and various ways. Whilst the building still remains as it is, the new director has instigated a new theme for the place, meaning that most of the work has now disappeared. A few remain.






oxford bar and night club





This sequence of images represents a design and installation of a bar and the various other modules attached to it, i.e. the seating arrangement and the oak framed wine housing unit etc. The bar itself was quite an exciting project in as much as it offered a great deal of scope for creativity. The unit was created from oak and toughened 10mm glass - which had coloured gels attached to it from behind. They were easily replaceable in future for different dynamic colourful styles. Oak strips were laid out over the glass and oak framework and secured in place by using an appropriate adhesive.

The whole of the interior with its grand appearance was stripped back from a dark and restricted old, multiple roomed place and exposed to its fullest. The render was shot blasted off to reveal the brickwork. The metal columns also brought back into being. The lighting itself and the electrical sources were housed in metal conduit (galvanised) and were used as a device for breaking up the handmade red brick walls. This added an extra structural element to the already linear aspect of the bar and the interior.

shelving and storage

This is a small selection of the shelving that was completed recently in an ancient barn. Originally the first unit below had a fixed back, but then it was decided that we could use glass as a partition and create the mirror of the shelves on the reverse. This was quite tricky but in the end the result was an excellent room divider, double depth shelving, light coming through from both sides during the day, and illuminable at night.
the second set of photos show built in storage for a wine cellar/ utility room. 


First stage completed.

The unit is completed when painted white and becomes reflective and bright.

The unit is perfectly nested between the two structural oak uprights.


In another room in the house, wardrobe space was created with the routed lines relating to the style of the interior doors.

A view of the open shelving


A wine storage perfectly sited in an alcove.
The unit with features an integrated led strip lights that run through the tops of each cell.